手影戏
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(手(shǒu )影(yǐng )戏(xì ),手(shǒu )影(yǐng )戏(xì ))
用(yòng )手(shǒu )向(xiàng )灯(dēng )取(qǔ )影(yǐng ),显(xiǎn )出(chū )种(zhǒng )种(zhǒng )形(xíng )象(xiàng )的(de )一(yī )种(zhǒng )技(jì )艺(yì )。
宋(sòng )洪(hóng )迈(mài )《夷(yí )坚(jiān )三(sān )志(zhì )·普(pǔ )照(zhào )明(míng )颠(diān )》:“﹝僧(sēng )惠(huì )明(míng )﹞尝(cháng )遇(yù )手(shǒu )影(yǐng )戏(xì )者(zhě ),人(rén )请(qǐng )之(zhī )占(zhàn )颂(sòng ),即(jí )把(bǎ )笔(bǐ )书(shū )云(yún ):‘三(sān )尺(chǐ )生(shēng )绡(xiāo )作(zuò )戏(xì )台(tái ),全(quán )凭(píng )十(shí )指(zhǐ )逞(chěng )诙(huī )谐(xié ),有(yǒu )时(shí )明(míng )月(yuè )灯(dēng )窗(chuāng )下(xià ),一(yī )笑(xiào )还(hái )从(cóng )掌(zhǎng )握(wò )来(lái )。’”
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